Commissioned by the Columbia University Wind Ensemble, Reason for Hope in a Complex World was inspired by the work and words of Jane Goodall. In Spring 2007 Dr. Goodall spoke in Boston, addressing the question: Is there hope for the future? Hope, she responded, stems from the incredible nature of the human spirit, but there is only hope if we all come together as a global community – we must each be a part of compassionate change.

The piece draws from this idea of binding together to become greater than the sum of our parts. Contrasting passages derive from a fanfare theme, presented in its entirety only at the work’s finale. The structure loosely resembles a theme and variations in reverse. The fanfare serves as a point of arrival that unifies the work’s various threads. In a sense, this mirrors Dr. Goodall’s idea of disparate people coming together to realize their common humanity.

The composition opens with chords meant to evoke the tolling of bell towers, focal points of community that mark the passage of time and call people together. Meanwhile, members of the ensemble murmur words of Walt Whitman about the busy egotism of society. The music proceeds through several sections – from urban-inspired reflections on constant sensory input to contemplations of spaces lonely and longing. The bell chords return, and finally the brass section presents a fanfare theme of hope.